Post by account_disabled on Mar 12, 2024 3:49:59 GMT
Anyone can sell a 20 euro product, but a product/service that costs more than 10,000 euros requires an enormous dose of trust and precise guarantees, which are obtained through branding, up-selling and customer relationship activities. The website serves precisely this: to modulate the offer based on the needs of your audience and the degree of reliability they attribute to you. You can't afford to sell a service worth over 10,000 euros if you haven't first attracted someone willing to listen to you, who was convinced to give you their contact details, and then purchased something at a low price/risk. Your offer must include a progression , because even those who will never spend a euro with you are useful and could fuel word of mouth. It's not about giving away content or "tastes" of your skills, but about creating an incremental climate of trust in which anyone can get something from you.
I've been a musician before, it was a long time ago, but it didn't Canada Phone Number last long. Unfortunately, bad tendonitis and an emotional collapse ended a period full of dreams and hopes. Yet, like all the misadventures that happen to us, that too enriched me and served as the basis for a transformation. I still retain some important life lessons from that period, but also a human and cultural point of reference: a brilliant artist who taught me much more than just jazz music, leading me to extend his teachings to other humanistic disciplines, including marketing .
I'm talking about Wynton Marsalis , one of the greatest living musicians and a great expert on the human soul. In his book “How jazz can change your life” he describes two rules that we should adopt in everyday life, as well as in our communication. The first is this: The primary goal of a jazz musician is to create his own sound, despite the natural tendency to imitate what is already known. Lester Young was probably the first to be criticized because he didn't look like anyone else. When he first came into prominence in the late 1920s, everyone who played the tenor sax tried to emulate Coleman Hawkins' thick yet bombastic sound. Not Lester. He did things his way, with a firm yet feather-light swing, successfully withstanding numerous criticisms.
I've been a musician before, it was a long time ago, but it didn't Canada Phone Number last long. Unfortunately, bad tendonitis and an emotional collapse ended a period full of dreams and hopes. Yet, like all the misadventures that happen to us, that too enriched me and served as the basis for a transformation. I still retain some important life lessons from that period, but also a human and cultural point of reference: a brilliant artist who taught me much more than just jazz music, leading me to extend his teachings to other humanistic disciplines, including marketing .
I'm talking about Wynton Marsalis , one of the greatest living musicians and a great expert on the human soul. In his book “How jazz can change your life” he describes two rules that we should adopt in everyday life, as well as in our communication. The first is this: The primary goal of a jazz musician is to create his own sound, despite the natural tendency to imitate what is already known. Lester Young was probably the first to be criticized because he didn't look like anyone else. When he first came into prominence in the late 1920s, everyone who played the tenor sax tried to emulate Coleman Hawkins' thick yet bombastic sound. Not Lester. He did things his way, with a firm yet feather-light swing, successfully withstanding numerous criticisms.